{"id":24681,"date":"2026-10-21T18:00:45","date_gmt":"2026-10-21T16:00:45","guid":{"rendered":"https:\/\/premislolagaos.com\/?p=24681"},"modified":"2026-10-21T18:02:22","modified_gmt":"2026-10-21T16:02:22","slug":"lacademia-valenciana-de-laudiovisual-junt-amb-el-consell-de-laudiovisual-de-la-comunitat-valenciana-i-linstitut-valencia-de-cultura-anuncien-les-nominacions-als-i","status":"publish","type":"post","link":"https:\/\/premislolagaos.com\/va\/lacademia-valenciana-de-laudiovisual-junt-amb-el-consell-de-laudiovisual-de-la-comunitat-valenciana-i-linstitut-valencia-de-cultura-anuncien-les-nominacions-als-i\/","title":{"rendered":"L\u2019Acad\u00e8mia Valenciana de l\u2019Audiovisual, junt amb el Consell de l\u2019Audiovisual de la Comunitat Valenciana i l\u2019Institut Valenci\u00e0 de Cultura, anuncien les nominacions als IX Premis Lola Gaos"},"content":{"rendered":"\n

La gala de lliurament se celebrar\u00e0 el 28 de novembre al Palau de la M\u00fasica de Val\u00e8ncia<\/em><\/p>\n\n\n\n

Els professionals valencians que han treballat en ‘Eixam’ sumen 18 candidatures individuals en 15 categories, mentre que ‘Cowgirl’ i ‘El mal padre’ figuren entre les produccions amb m\u00e9s nominacions.<\/em><\/p>\n\n\n\n

L\u2019Acad\u00e8mia Valenciana de l\u2019Audiovisual (AVAV), el Consell de l\u2019Audiovisual de la Comunitat Valenciana i l\u2019Institut Valenci\u00e0 de Cultura han donat a con\u00e9ixer este dimarts les nominacions als IX Premis Lola Gaos \u2013 Premis de l\u2019Audiovisual Valenci\u00e0, que reconeixen els millors treballs de l\u2019\u00faltim any en el sector audiovisual valenci\u00e0.<\/p>\n\n\n\n

L\u2019acte de lectura s\u2019ha celebrat a la Sala Joaqu\u00edn Rodrigo del Palau de la M\u00fasica de Val\u00e8ncia, en el marc de la Mostra de Val\u00e8ncia \u2013 Cinema del Mediterrani, que enguany ha acollit l\u2019anunci en la seua seu principal. L\u2019actriu Olga Alam\u00e1n i la maquilladora Esther Guillem han sigut les encarregades de donar a con\u00e9ixer les persones i les obres finalistes.<\/p>\n\n\n\n

En esta edici\u00f3, els acad\u00e8mics i les acad\u00e8miques han valorat un total de 67 produccions candidates, que han sumat 269 candidatures en les diferents categories. D\u2019entre totes elles, n\u2019han resultat 74 nominacions.<\/p>\n\n\n\n

Del total d\u2019obres presentades, 21 s\u00f3n llargmetratges (9 de ficci\u00f3, 10 documentals i 2 d\u2019animaci\u00f3) i 33 curtmetratges (22 de ficci\u00f3, 8 documentals i 3 d\u2019animaci\u00f3). A estes s\u2019hi sumen 5 programes de televisi\u00f3 de proximitat, 4 continguts sonors, 1 campanya de publicitat compromesa i de proximitat i 3 videojocs. En total, s\u2019han anunciat les candidatures finalistes en 26 categories.<\/p>\n\n\n\n

En el proc\u00e9s de votaci\u00f3, realitzat a trav\u00e9s de la plataforma Votiweb, amb el visionament de les obres candidates disponible en Movibeta, han participat 219 acad\u00e8mics i acad\u00e8miques, la qual cosa representa el 53,5% del cens amb dret a vot. La participaci\u00f3 ha augmentat notablement, amb m\u00e9s del doble de vots emesos que en l\u2019edici\u00f3 anterior.<\/p>\n\n\n\n

Els professionals valencians que han treballat en ‘Eixam’ encap\u00e7alen les nominacions d\u2019esta edici\u00f3, amb 18 candidatures individuals repartides en 15 categories pel seu treball en la pel\u00b7l\u00edcula. ‘Eixam’ no concorre com a producci\u00f3 als Premis Lola Gaos, per\u00f2 els professionals valencians que hi han participat poden optar individualment als guardons pel seu treball.<\/p>\n\n\n\n

La segueixen ‘Cowgirl’, amb 10 nominacions, incloses les categories de millor llargmetratge de ficci\u00f3 i millor gui\u00f3, i ‘El mal padre’, de Roberto Bueso, amb 8. Tamb\u00e9 destaca ‘La Piet\u00e0’, de Rafa Mol\u00e9s i Pepe Andreu, amb 6 nominacions, entre les quals hi ha millor llargmetratge documental i direcci\u00f3, aix\u00ed com ‘Despu\u00e9s de Kim’ (3) i ‘La violinista’ (2).<\/p>\n\n\n\n

La presidenta de l’AVAV, Gloria March, ha destacat que \u00abel proc\u00e9s de votaci\u00f3 ha augmentat notablement, amb m\u00e9s del doble de vots emesos que en l’edici\u00f3 anterior, la qual cosa mostra l’inter\u00e9s cada vegada major cap a les nostres obres i els nostres companys i companyes professionals\u00bb. March tamb\u00e9 ha subratllat que \u00abper primera vegada comptem amb dos llargmetratges d’animaci\u00f3, una cosa que no havia passat mai en edicions anteriors\u00bb, i que les produccions d’enguany s\u00f3n \u00abobres amb tem\u00e0tiques diverses, que mostren la realitat \u00e0mplia, complexa i diversa, les nostres preocupacions i desitjos des de l’humor, la cr\u00edtica o la den\u00fancia social\u00bb.<\/p>\n\n\n\n

Durant la presentaci\u00f3 s\u2019han avan\u00e7at algunes de les novetats de la gala de lliurament dels premis, que tindr\u00e0 lloc el pr\u00f2xim dissabte 28 de novembre al Palau de la M\u00fasica de Val\u00e8ncia. La gala, que ser\u00e0 retransmesa per \u00c0 Punt, estar\u00e0 presentada per l\u2019actor \u00d3scar Lasarte, dirigida per Rafa Piqueras i comptar\u00e0 amb gui\u00f3 de Carlos Garc\u00eda.<\/p>\n\n\n\n

Un any m\u00e9s, a trav\u00e9s de la secci\u00f3 Finestra, la Mostra de Val\u00e8ncia projectar\u00e0 les pel\u00b7l\u00edcules nominades als Premis Lola Gaos en les categories de millor llargmetratge de ficci\u00f3, documental i animaci\u00f3, aix\u00ed com en les de millor gui\u00f3 i millor direcci\u00f3. Tamb\u00e9 es projectaran les obres nominades en la categoria de Premi Jove al millor llargmetratge. Amb esta iniciativa es pret\u00e9n refor\u00e7ar la visibilitat del talent audiovisual valenci\u00e0 i el vincle entre les dues institucions.<\/p>\n\n\n\n

A continuaci\u00f3, el llistat complet de nominacions:<\/p>\n\n\n\n

Millor vestuari<\/strong>
Cristina Mart\u00edn per \u2018Morir no siempre sale bien\u2019
Giovanna Ribes per \u2018Eixam\u2019
Raquel Porter per \u2018Cowgirl\u2019<\/p>\n\n\n\n

Millor maquillatge i perruqueria<\/strong>
Alba Colorus per \u2018Eixam\u2019
Amparo Carri\u00f3, Ana M\u00aa Balsera per \u2018El mal padre\u2019
Vicen Bet\u00ed per \u2018Cowgirl\u2019<\/p>\n\n\n\n

Millor direcci\u00f3 art\u00edstica<\/strong>
Jero Bono per \u2018Cowgirl\u2019
Maje Tarazona per \u2018Eixam\u2019
Rafa Jannone per \u2018El mal padre\u2019<\/p>\n\n\n\n

Millor direcci\u00f3 de producci\u00f3<\/strong>
Gloria Guillot per \u2018Eixam\u2019
Lorena Lluch per \u2018El mal padre\u2019
Lorena Torres, Mila Luengo per \u2018Cowgirl\u2019<\/p>\n\n\n\n

Millor actor de repartiment<\/strong>
Abdelatif Hwidar per \u2018Eixam\u2019
El\u00edas Hwidar per \u2018Eixam\u2019
Jordi Aguilar per \u2018Eixam\u2019<\/p>\n\n\n\n

Millor actriu de repartiment<\/strong>
Gloria March per \u2018Despu\u00e9s de Kim\u2019
Gloria March per \u2018Eixam\u2019
Mar\u00eda Maroto per \u2018Eixam\u2019<\/p>\n\n\n\n

Millor so<\/strong>
Dani Navarro, Mart\u00edn Touron, Iv\u00e1n Rufat per \u2018Eixam\u2019
Iv\u00e1n Rufat per \u2018La Piet\u00e0\u2019
Mar Gonz\u00e1lez per \u2018El mal padre\u2019<\/p>\n\n\n\n

Millor muntatge<\/strong>
Alfonso Su\u00e1rez per \u2018Cowgirl\u2019
Pepe Andreu per \u2018La Piet\u00e0\u2019
Vicente Navarro AMAE per \u2018Eixam\u2019<\/p>\n\n\n\n

Millor direcci\u00f3 de fotografia i il\u00b7luminaci\u00f3<\/strong>
Jos\u00e9 Luis Gonz\u00e1lez Iglesia per \u2018La Piet\u00e0\u2019
Miguel Llorens per \u2018Cowgirl\u2019
V\u00edctor Entrecanales AEC per \u2018Eixam\u2019<\/p>\n\n\n\n

Millor m\u00fasica original<\/strong>
Alberto Lucendo per \u2018La Piet\u00e0\u2019
Isabel Latorre S\u00e1ez, Ricky Ho per \u2018La violinista\u2019
Raquel S\u00e1nchez per \u2018Eixam\u2019<\/p>\n\n\n\n

Millor can\u00e7\u00f3 original<\/strong>
\u2018It\u2019s you that I\u2019ll call home\u2019, d\u2019Isabel Latorre (\u2018Femen\u00ed, singular\u2019)
\u2018La mentida\u2019, de La Maria (\u2018Eixam\u2019)
\u2018Sin decir adi\u00f3s\u2019, de Christina Rosenvinge (\u2018Despu\u00e9s de Kim\u2019)<\/p>\n\n\n\n

Millor gui\u00f3<\/strong>
Cristina Fern\u00e1ndez Pintado, Miguel Llorens, Rafa Albert per \u2018Cowgirl\u2019
Joana M. Ortueta, Jorge Juan Mart\u00ednez per \u2018Eixam\u2019
Roberto Bueso, \u00d3scar D\u00edaz per \u2018El mal padre\u2019<\/p>\n\n\n\n

Millor actor protagonista<\/strong>
Eduard Fern\u00e1ndez per \u2018El mal padre\u2019
Pablo Molinero per \u2018Eixam\u2019
Pep Munn\u00e9 per \u2018Cowgirl\u2019<\/p>\n\n\n\n

Millor actriu protagonista<\/strong>
Adriana Ozores per \u2018Despu\u00e9s de Kim\u2019
Cristina Fern\u00e1ndez Pintado per \u2018Eixam\u2019
Isabel Rocatti per \u2018Cowgirl\u2019<\/p>\n\n\n\n

Millor direcci\u00f3<\/strong>
\u00d3scar Bern\u00e0cer per \u2018Eixam\u2019
Rafa Mol\u00e9s, Pepe Andreu per \u2018La Piet\u00e0\u2019
Roberto Bueso per \u2018El mal padre\u2019<\/p>\n\n\n\n

Millor curtmetratge d\u2019animaci\u00f3<\/strong>
\u2018Antitermitas\u2019, d\u2019Alejandro Rey Mini\u00f1o
\u2018Fast Rats\u2019, de Barreira Arte y Dise\u00f1o
\u2018Microcosmos. Un gabinete de curiosidades\u2019, d\u2019Enrique Mill\u00e1n<\/p>\n\n\n\n

Millor curtmetratge documental<\/strong>
\u2018Deprisa deprisa\u2019, de When Lights Are Low
\u2018Esto est\u00e1 fr\u00edo\u2019, d\u2019Estrela Audiovisual, Ivarina Films
\u2018No als poalets\u2019, de Nakamura Films, Maqueta Films<\/p>\n\n\n\n

Millor curtmetratge de ficci\u00f3<\/strong>
\u2018Quemar al padre\u2019, de Love Our Films Media
\u2018Sold out\u2019, de La Senda Films Produccions, Aire de Cinema, Wicker Films, Waterdrop Films
\u2018Videoclub 2001\u2019, de Los Hermanos Polo Films, Guillermo Polo<\/p>\n\n\n\n

Millor programa de televisi\u00f3 de proximitat<\/strong>
\u2018Cantem!\u2019, de Producciones Televisivas Mecomlys, \u00c0 Punt
\u2018Cr\u00f2nica de la reconstrucci\u00f3\u2019, d\u2019El Garaje Audiovisual, \u00c0 Punt
\u2018La cuina de Morera\u2019, de Microfilm 2.0, \u00c0 Punt<\/p>\n\n\n\n

Millor contingut sonor de proximitat<\/strong>
\u2018#ElMur. Mem\u00f2ria i exili\u2019, d\u2019Universitat de Val\u00e8ncia
\u2018Obrim portes\u2019, de Llet i Vi
\u2018Viernes noche\u2019, de Carlos Llop<\/p>\n\n\n\n

Millor campanya de publicitat compromesa i de proximitat<\/strong>
\u2018Del poble, per al poble. Ballem!\u2019, de MC Audiovisuales<\/p>\n\n\n\n

Millor videojoc<\/strong>
\u2018Cutout Village\u2019, de DevilishGames
\u2018Fortune of the Damned\u2019, de Barreira Arte y Dise\u00f1o
\u2018Rag Walls\u2019, de Barreira Arte y Dise\u00f1o<\/p>\n\n\n\n

Premi Jove al millor llargmetratge<\/strong>
\u2018Drea & Cloe\u2019, de La Dalia Films, Panorama5 Pictures
\u2018Retrato de una cerilla\u2019, de When Lights Are Low, Digital Cine Media<\/p>\n\n\n\n

Millor llargmetratge d\u2019animaci\u00f3<\/strong>
\u2018La violinista\u2019, de TV On Producciones, Robot Playground Media, Altri Occhi
\u2018Superthings: la pel\u00edcula\u2019, de Turanga Films, Castelao Pictures, Tandem Films, Castelao Productions, Profesor Media AIE<\/p>\n\n\n\n

Millor llargmetratge documental<\/strong>
\u2018La Piet\u00e0\u2019, de Suicafilms, Axfilms, Studio Nominum
\u2018Retrato de una cerilla\u2019, de When Lights Are Low, Digital Cine Media
\u2018Ser\u00e0s per sempre, un viatge per Vicent Andr\u00e9s Estell\u00e9s\u2019, de Tresdeu Media, 3Cat<\/p>\n\n\n\n

Millor llargmetratge de ficci\u00f3<\/strong>
\u2018Cowgirl\u2019, de The Fly Hunter, Produccions Quart, Aguacate&Calabaza Films
\u2018El mal padre\u2019, de Misent Producciones, Mod Pictures, Mod Producciones, Atresmedia
\u2018Tanit\u2019, de Dacsa Produccions, Atiende Films<\/p>\n","protected":false},"excerpt":{"rendered":"

La gala de lliurament se celebrar\u00e0 el 28 de novembre al Palau de la M\u00fasica de Val\u00e8ncia Els professionals valencians que han treballat en ‘Eixam’ sumen 18 candidatures individuals en 15 categories, mentre que ‘Cowgirl’ i ‘El mal padre’ figuren entre les produccions amb m\u00e9s nominacions. L\u2019Acad\u00e8mia Valenciana de l\u2019Audiovisual (AVAV), el Consell de l\u2019Audiovisual […]<\/p>\n","protected":false},"author":7,"featured_media":24680,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[387],"tags":[],"class_list":["post-24681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academia-valenciana-audio-visual-va","entry","has-media"],"acf":[],"yoast_head":"\nL\u2019Acad\u00e8mia Valenciana de l\u2019Audiovisual, junt amb el Consell de l\u2019Audiovisual de la Comunitat Valenciana i l\u2019Institut Valenci\u00e0 de Cultura, anuncien les nominacions als IX Premis Lola Gaos - 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