La pel\u00b7l\u00edcula d\u2019Avelina Prat es va al\u00e7ar amb set guardons en una gala en qu\u00e8 \u201cLa buena letra\u201d, \u201cPeque\u00f1os calvarios\u201d i \u201cLa cena\u201d tamb\u00e9 van sumar diversos reconeixements, en una edici\u00f3 amb r\u00e8cord de participaci\u00f3 i noves categories.<\/em><\/p><\/p>\n\nLa Acad\u00e8mia Valenciana de l\u2019Audiovisual i el Consell de l\u2019Audiovisual de la Comunitat Valenciana van celebrar anit, a l\u2019Auditori de la Diputaci\u00f3 d\u2019Alacant (ADDA), la huitena edici\u00f3 dels Premis Lola Gaos, una cerim\u00f2nia que va confirmar el creixement sostingut de l\u2019audiovisual valenci\u00e0 i la consolidaci\u00f3 d\u2019estos guardons com el seu gran aparador anual.<\/p>\n\n
\u201cUna quinta portuguesa\u201d, d\u2019Avelina Prat, va ser la gran triomfadora de la nit, amb set guardons, entre ells els de millor llargmetratge de ficci\u00f3, direcci\u00f3, gui\u00f3 (Avelina Prat), m\u00fasica original (Vincent Barri\u00e8re), muntatge (Juliana Monta\u00f1\u00e9s), so (Iv\u00e1n Mart\u00ednez-Rufat) i actor protagonista (Manolo Solo). La cerim\u00f2nia va ser retransmesa per \u00c0 Punt, condu\u00efda per l\u2019actriu Inma Sancho i dirigida per Rafa Piqueras, amb gui\u00f3 de Laura P\u00e9rez.<\/p>\n\n
Entre els treballs premiats va destacar tamb\u00e9 \u201cUn bany propi\u201d, dirigida per Luc\u00eda Casa\u00f1, que es va endur el premi del jurat jove \u2014atorgat pels acad\u00e8mics j\u00fanior de l\u2019AVAV\u2014 al millor llargmetratge, aix\u00ed com el reconeixement a millor actriu protagonista per a Nuria Gonz\u00e1lez; i \u201cPeque\u00f1os calvarios\u201d, de Javier Polo, amb els guardons de direcci\u00f3 de fotografia (Beatriz Sastre) i vestuari (Ruth Sempere). V\u00edctor Palmero va rebre el premi a millor actor de repartiment per \u201cCel meu infern teu\u201d, i Gloria March el de millor actriu de repartiment per \u201cLa cena\u201d. En direcci\u00f3 de producci\u00f3 va ser premiada Lorena Lluch per \u201cLa buena letra\u201d, dirigida per Celia Rico, que tamb\u00e9 va obtindre el reconeixement en maquillatge i perruqueria per a Esther i Pilar Guillem.<\/p>\n\n
En l\u2019\u00e0mbit documental, \u201cEquipo Cr\u00f3nica. Arte de trinchera\u201d, dirigida per Rafa Sesa i Felipe Villaplana, es va imposar com a millor llargmetratge, mentre que \u201cLos chicos con las chicas\u201d, de Claudia Garc\u00eda de Mateos, va ser reconegut com a millor curtmetratge documental. En animaci\u00f3, el premi al llargmetratge va ser per a \u201cEl tesoro de Barracuda\u201d, d\u2019Adri\u00e0 Garc\u00eda, i el de curtmetratge per a \u201cCarmela\u201d, de Vicente Mallols. En ficci\u00f3 curta, el guard\u00f3 va ser per a \u201cC\u00f2lera\u201d, dirigida per Jos\u00e9 Luis L\u00e1zaro. La categoria de can\u00e7\u00f3 original va distingir \u201cCaminar el tiempo\u201d, composta i interpretada per Blanca Paloma i Luis Ivars per a la pel\u00b7l\u00edcula \u201cParecido a un asesinato\u201d.<\/p>\n\n
Pel que fa a les produccions seriades, \u201cFav\u00e0ritx\u201d, de TV On Producciones, Empatic Comunicaci\u00f3n y Marketing i Volf Entertainment, va ser reconeguda com a millor s\u00e8rie de ficci\u00f3, mentre que \u201cInforme\u201d, en la seua segona temporada, de Bis\u00edlaba, va obtindre el premi a millor s\u00e8rie documental. Per la seua banda, \u201cBAMBAS!\u201d, de DevilishGames, es va al\u00e7ar amb el guard\u00f3 a millor videojoc, una categoria que consolida el seu espai dins de l\u2019ecosistema creatiu valenci\u00e0 i refor\u00e7a la singularitat dels Premis Lola Gaos com l\u2019\u00fanica cita audiovisual de l\u2019Estat que distingix el desenvolupament de videojocs.El jurat, integrat per Mar\u00eda Tinoco (Valencia Game City), Gonzalo Girault (Radient Game Studio) i Juan Novella (Groovel Studio \/ GamEsp Audio), va destacar l\u2019originalitat i el comprom\u00eds de l\u2019estudi DevilishGames, i l\u2019AVAV va agrair la seua implicaci\u00f3 en un sector en plena expansi\u00f3.<\/p>\n\n
Noves categories<\/strong><\/p><\/p>\n\nLa gala va celebrar tamb\u00e9 per primera vegada els premis dedicats a formats de proximitat, en col\u00b7laboraci\u00f3 amb el Consell de l\u2019Audiovisual de la Comunitat Valenciana. \u201cC\u00e0mera i acci\u00f3\u201d, de Canals R\u00e0dio, va ser distingit com a millor programa de r\u00e0dio de proximitat; \u201cXino Xano\u201d, de Microfilm 2.0, com a millor programa de televisi\u00f3 de proximitat; i la campanya \u201cAll i Pebre\u201d, de Mar Navarro Herr\u00e1iz, com a millor campanya publicit\u00e0ria compromesa. Teresa Cebri\u00e1n va agrair esta alian\u00e7a institucional al president del Consell, Jos\u00e9 Mar\u00eda Vidal, subratllant que \u00abamb estes noves categories tanquem un cercle que romania obert i consolidem uns premis que representen, ara s\u00ed, tot l\u2019audiovisual valenci\u00e0\u00bb.<\/p>\n\n
Amb un total de 458 candidatures presentades, un 30 % m\u00e9s que en l\u2019edici\u00f3 anterior, esta huitena convocat\u00f2ria dels Premis Lola Gaos ha batut r\u00e8cord de participaci\u00f3 i ha reflectit la for\u00e7a creativa, territorial i professional del sector audiovisual valenci\u00e0.<\/p>\n\n
Un dels moments m\u00e9s especials de la nit va ser l\u2019homenatge al guionista i dramaturg Rodolf Sirera, que va rebre el Premi d\u2019Honor d\u2019esta edici\u00f3 per la seua extensa traject\u00f2ria i el seu paper fonamental en la construcci\u00f3 de la narrativa audiovisual valenciana. El p\u00fablic de l\u2019ADDA es va al\u00e7ar per ovacionar-lo, i el guard\u00f3 li va ser entregat pel seu amic i company de professi\u00f3 Carles Alberola.<\/p><\/p>\n\n
La cerim\u00f2nia va transc\u00f3rrer en un ambient festiu, emotiu i comprom\u00e9s. La presidenta de l\u2019AVAV va dedicar unes paraules a les persones afectades per la DANA i va reivindicar el paper de la cultura com a motor de recuperaci\u00f3: \u00abContinuarem al vostre costat, perqu\u00e8 esta \u00e9s la nostra ess\u00e8ncia\u00bb. En un discurs que va marcar el tancament del seu mandat despr\u00e9s de quatre anys al capdavant de la Junta Directiva, Cebri\u00e1n tamb\u00e9 va reclamar estabilitat institucional i una pol\u00edtica cultural sostinguda que garantisca el desenvolupament del sector. \u00abEncara ens falta una aposta decidida per les nostres hist\u00f2ries, la nostra llengua i la nostra gent. Per\u00f2 mai hav\u00edem estat tan prop de consolidar un sector fort, orgull\u00f3s i respectat\u00bb, va afirmar.<\/p>\n\n
La presidenta va destacar tamb\u00e9 la necessitat d\u2019ampliar la representaci\u00f3 de les dones en l\u2019Acad\u00e8mia i va animar les seues companyes a participar activament: \u00abLes dones amb prou faenes representem el 30 % de les persones acad\u00e8miques. Companyes, a qu\u00e8 espereu?\u00bb. Amb este missatge, Cebri\u00e1n va tornar a subratllar la import\u00e0ncia de la igualtat, la cooperaci\u00f3 i la fortalesa col\u00b7lectiva com a pilars del sector.<\/p>\n\n
Poc despr\u00e9s, Teresa Cebri\u00e1n va prendre un moment per a agrair el treball de la Junta Directiva eixint, que va pujar a l\u2019escenari entre els aplaudiments del p\u00fablic. Lluny de presentar-se com una despedida solemne, el gest va simbolitzar la continu\u00eftat del projecte acad\u00e8mic i el reconeixement a qui han sostingut la instituci\u00f3 durant els \u00faltims quatre anys. Cebri\u00e1n els va dedicar unes paraules d\u2019agra\u00efment abans de cedir-los el protagonisme sobre l\u2019escenari: \u00abCelebrem molt m\u00e9s que uns premis. Celebrem una manera de mirar, de crear i de contar. El resultat de la perseveran\u00e7a, de l\u2019amor i del comprom\u00eds de milers de professionals que manteniu viva la flama de l\u2019audiovisual\u00bb.<\/p>\n\n
Amb este reconeixement, la gala va reafirmar l\u2019esperit col\u00b7lectiu que ha guiat l\u2019Acad\u00e8mia Valenciana de l\u2019Audiovisual en els \u00faltims anys. La huitena edici\u00f3 dels Premis Lola Gaos deixa una fotografia n\u00edtida del que \u00e9s hui l\u2019audiovisual valenci\u00e0: un sector madur, plural i en constant transformaci\u00f3, que celebra el seu present mentre constru\u00efx el seu futur amb orgull i determinaci\u00f3.<\/p>\n\n
Llistat complet palmar\u00e9s VIII PREMIS LOLA GAOS \u2013 2025<\/strong><\/p><\/p>\n\nLlargmetratge de ficci\u00f3:<\/strong>\u00a0\u201cUna quinta portuguesa\u201d \u2013\u00a0Jaibo Films, Almendros Blancos AIE(Distinto Films, Jaibo Films)<\/strong><\/p><\/p>\n\nLlargmetratge documental:<\/strong>\u00a0\u201cEquipo Cr\u00f3nica. Arte de trinchera\u201d \u2013\u00a0Estrela Audiovisual, DacsaProduccions, Zootropo Studio, Corporaci\u00f3n RTVE<\/strong><\/p><\/p>\n\nDirecci\u00f3: Avelina Prat\u00a0<\/strong>\u2013 \u201cUna quinta portuguesa\u201d<\/p><\/p>\n\nGui\u00f3: Avelina Prat<\/strong>\u00a0\u2013 \u201cUna quinta portuguesa\u201d<\/p><\/p>\n\nM\u00fasica original: Vincent Barri\u00e8re\u00a0<\/strong>\u2013 \u201cUna quinta portuguesa\u201d<\/p><\/p>\n\nActor protagonista: Manolo Solo\u00a0<\/strong>\u2013 \u201cUna quinta portuguesa\u201d<\/p><\/p>\n\nActriu protagonista: Nuria Gonz\u00e1lez\u00a0<\/strong>\u2013 \u201cUn bany propi\u201d<\/p><\/p>\n\nActor de repartiment: V\u00edctor Palmero<\/strong>\u00a0\u2013 \u201cCel meu infern teu\u201d<\/p><\/p>\n\nActriu de repartiment: Gloria March Chulvi<\/strong>\u00a0\u2013 \u201cLa cena\u201d<\/p><\/p>\n\nMontaje:\u00a0Juliana Monta\u00f1\u00e9s<\/strong>\u00a0\u2013 \u00abUna quinta portuguesa\u00bb<\/p>\n\nDirecci\u00f3 de fotografia i il\u00b7luminaci\u00f3: Beatriz Sastre<\/strong>\u00a0\u2013 \u201cPeque\u00f1os calvarios\u201d<\/p><\/p>\n\nDirecci\u00f3 de producci\u00f3: Lorena Lluch\u00a0<\/strong>\u2013 \u201cLa buena letra\u201d<\/p><\/p>\n\nSo: Iv\u00e1n Mart\u00ednez-Rufat\u00a0<\/strong>\u2013 \u201cUna quinta portuguesa\u201d<\/p><\/p>\n\nCan\u00e7\u00f3 original:<\/strong>\u00a0\u201cCaminar el tiempo\u201d de\u00a0Blanca Paloma i Luis Ivars<\/strong>\u00a0\u2013 \u201cParecido a un asesinato\u201d<\/p><\/p>\n\nVestuari: Ruth Sempere<\/strong>\u00a0\u2013 \u201cPeque\u00f1os calvarios\u201d<\/p><\/p>\n\nMaquillatge i perruqueria: Esther Guillem, Pilar Guillem<\/strong>\u00a0\u2013 \u201cLa buena letra\u201d<\/p><\/p>\n\nCurtmetratge de ficci\u00f3:\u00a0<\/strong>\u201cC\u00f2lera\u201d \u2013\u00a0Aire de Cinema, Wicker Films<\/strong><\/p><\/p>\n\nCurtmetratge documental:<\/strong>\u00a0\u201cLos chicos con las chicas\u201d \u2013\u00a0When Lights Are Low<\/strong><\/p><\/p>\n\nCurtmetratge d\u2019animaci\u00f3:\u00a0<\/strong>\u201cCarmela\u201d \u2013\u00a0Pangur Animation, Mansalva Films, Foliascope<\/strong><\/p><\/p>\n\nS\u00e8rie de ficci\u00f3:\u00a0<\/strong>\u201cFav\u00e0ritx\u201d \u2013\u00a0TV On Producciones, Empatic Comunicaci\u00f3n y Marketing, Volf Entertainment<\/strong><\/p><\/p>\n\nS\u00e8rie documental:<\/strong>\u00a0\u201cInforme\u201d (2a temporada) \u2013\u00a0Bis\u00edlaba<\/strong><\/p><\/p>\n\nLlargmetratge d\u2019animaci\u00f3:\u00a0<\/strong>\u201cEl tesoro de Barracuda\u201d \u2013\u00a0Hampa Studio, Inicia Films<\/strong><\/p><\/p>\n\nLlargmetratge jurat jove:\u00a0<\/strong>\u201cUn bany propi\u201d \u2013\u00a0Producciones Televisivas Neocomlys<\/strong><\/p><\/p>\n\nPrograma de r\u00e0dio de proximitat:<\/strong>\u00a0\u201cC\u00e0mera i acci\u00f3\u201d \u2013\u00a0Canals R\u00e0dio<\/strong><\/p><\/p>\n\nPrograma de TV de proximitat:<\/strong>\u00a0\u201cXino Xano\u201d \u2013\u00a0Microfilm 2.0<\/strong><\/p><\/p>\n\nCampanya publicit\u00e0ria compromesa i de proximitat:<\/strong>\u00a0\u201cAll i Pebre\u201d \u2013\u00a0Mar Navarro Herr\u00e1iz<\/strong><\/p><\/p>\n\nVideojoc:<\/strong>\u00a0\u201cBambas!\u201d \u2013\u00a0DEVILISHGAMES<\/strong><\/p><\/p>\n","protected":false},"excerpt":{"rendered":"La pel\u00b7l\u00edcula d\u2019Avelina Prat es va al\u00e7ar amb set guardons en una gala en qu\u00e8 \u201cLa buena letra\u201d, \u201cPeque\u00f1os calvarios\u201d i \u201cLa cena\u201d tamb\u00e9 van sumar diversos reconeixements, en una edici\u00f3 amb r\u00e8cord de participaci\u00f3 i noves categories. La Acad\u00e8mia Valenciana de l\u2019Audiovisual i el Consell de l\u2019Audiovisual de la Comunitat Valenciana van celebrar anit, […]<\/p>\n","protected":false},"author":7,"featured_media":23429,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[387],"tags":[],"class_list":["post-23440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academia-valenciana-audio-visual-va","entry","has-media"],"acf":[],"yoast_head":"\n
\u201cUna quinta portuguesa\u201d lidera els VIII Premis Lola Gaos en una edici\u00f3que refor\u00e7a la diversitat i la cohesi\u00f3 de l\u2019audiovisual valenci\u00e0 - Premis de l'audiovisual valenci\u00e1<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/premislolagaos.com\/va\/una-quinta-portuguesa-lidera-els-viii-premis-lola-gaos-en-una-edicioque-reforca-la-diversitat-i-la-cohesio-de-laudiovisual-valencia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cUna quinta portuguesa\u201d lidera els VIII Premis Lola Gaos en una edici\u00f3que refor\u00e7a la diversitat i la cohesi\u00f3 de l\u2019audiovisual valenci\u00e0 - Premis de l'audiovisual valenci\u00e1\" \/>\n<meta property=\"og:description\" content=\"La pel\u00b7l\u00edcula d\u2019Avelina Prat es va al\u00e7ar amb set guardons en una gala en qu\u00e8 \u201cLa buena letra\u201d, \u201cPeque\u00f1os calvarios\u201d i \u201cLa cena\u201d tamb\u00e9 van sumar diversos reconeixements, en una edici\u00f3 amb r\u00e8cord de participaci\u00f3 i noves categories. 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